The Song of Miriam and the Cosmic Collapse of Gender
We see a very interesting concept in this week’s Parashas Beshalach. Right after the epic Song of the Sea where Moshe Rabbeinu sings a long song of praise for the miracle of the splitting of the sea and the downfall of their Egyptian enemies, his sister Miriam adds a song as well. Take a look for yourself: Shemos 15:20-21 (כ) וַתִּקַּח֩ מִרְיָ֨ם הַנְּבִיאָ֜ה אֲח֧וֹת אַהֲרֹ֛ן אֶת־הַתֹּ֖ף בְּיָדָ֑הּ וַתֵּצֶ֤אןָ כׇֽל־הַנָּשִׁים֙ אַחֲרֶ֔יהָ בְּתֻפִּ֖ים וּבִמְחֹלֹֽת׃ (כא) וַתַּ֥עַן לָהֶ֖ם מִרְיָ֑ם שִׁ֤ירוּ לַֽיהוה כִּֽי־גָאֹ֣ה גָּאָ֔ה ס֥וּס וְרֹכְב֖וֹ רָמָ֥ה בַיָּֽם׃ (20) Then Miriam the prophet, Aaron’s sister, picked up a hand-drum, and all the women went out after her in dance with hand-drums. (21) And Miriam chanted for them: Sing to GOD, who has triumphed gloriously; Horse and driver have been hurled into the sea. Some basic questions jump out from the text itself. Why was this song necessary at all? Especially with the fact that the Midrash tells us that even unborn fetuses in t...